In this page we are providing reading suggestions including a short selection of evidence-based information that may be of interest to researchers exploring the Arts in the context of the Hispanic-Anglosphere, mainly in relation to the activities of individuals, networks and communities.
Iglesias Rogers, Graciela. British Liberators in the Age of Napoleon: Volunteering under the Spanish Flag in the Peninsular War. London: Bloomsbury, 2014. [for the cases of Walter Savage Landor, Fernando Sor]
Iglesias-Rogers, Graciela, ed. The Hispanic-Anglosphere From the Eighteenth to the Twentieth Century: An Introduction. London and New York: Routledge, 2021. [see index for multiple examples – much of the book is in open access]
Lindsay, Claire. “Postcolonial Anxieties: Fetishizing Frances Calderón De La Barca.” Women: a cultural review 17, no. 2 (2006): 171-87.
Gerassi-Navarro, Nina, ‘Fanny Calderón de la Barca: the Power and Privilege of Observation´ in idem, Women, Travel, and Science in Nineteenth-Century Americas: The Politics of Observation. Cham: Palgrave Macmillan, 2017, 69-150.
Parsonage, Catherine. The Evolution of Jazz in Britain, 1880-1935. London Routledge, 2017.
van Delden, Ate. “With Fred Elizalde in England, 1928” and “With Fred Elizalde in 1929, the Second Year” in idem, Adrian Rollini: The Life and Music of a Jazz Rambler. Mississippi University Press of Mississippi, 2019.
Benjamin-Labarthe, Elyette. “American Cinema: The Mask of Zorro and the Chicano Canon” in Karin Ikas and Francisco A. Lomelì (eds.), U.S. Latino Literatures and Cultures: Transnational Perspectives (Heidelberg: C. Winter, 2000).
Richard, Alfred Charles, Censorship and Hollywood’s Hispanic image: an interpretive filmography, 1936-1955 (Westport, Conn.: Greenwood Press, 1993).
Eva Moreda-Rodriguez (2013) ‘How little we know in this country of the music of Spain…’: Spanish music in Britain during the First World War, First World War Studies, 4:2, 241-256, DOI: 10.1080/19475020.2013.856773
Medina Calzada, Sara. “Twice-Told Tales: Anglo-Spanish intertextuality in José Joaquín de Mora’s “El abogado de Cuenca” (1826)”, Oceánide, 8, 1-10 available at https://dialnet.unirioja.es/descarga/articulo/6236605.pdfLinks to an external site.
Ana Carpintero, ‘Federico Moretti: un enigma descifrado’, Anuario Musical, 2010, nº 65, 79-110
All the open-access articles listed above offer new documentary data (in Spanish) about the life of the leading guitar theorist, composer and performer Federico Moretti (1769-1839) including family background, travel, jobs, relationships, titles, birth, marriage and death certificates.
The Hispanic-Anglosphere ... 